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Peru in the 1920s

Continuous Identity

“A fishing raft returning with a good catch”

Although Peru’s modernization is most prominent in the postcards, traces of Peru’s traditional and native identities can still be found. Most recognizable are the Inca ruins from the Cuzco series. Cuzco still retains its status as Peru’s ancient capital, having been the site of the Inca throne around the 15th and 16th century. Some Cuzco images show the fusion of Inca walls into the colonial city’s structures, a striking symbol of old Peru.

In terms of animals and nature, another recognizable image is the llama. Postcards from Lima, Casapalca, and other locations show llama packs and alpacas roaming in the mountains, streets, and even a hotel. The physical terrain, a permanent part of Peru, is the feature and background in a handful of postcards. The barren hills outside city centers, the rolling mountains enveloping smelters and railroad tracks, scenic views of the rocky shore in Mollendo, and the oceanic setting in Payta and Callao help viewers envision Peru in its natural environment and physical location. The animal and natural world are embodied in Peru's tradition of earthen ceramics, shaped by indigenous groups for centuries.

"Llamas in the streets of a small mining village"
“A llama pack-train in the mountains near the Casapalca smelters”

These visual reminders of the modern, past, and permanent reinforce the idea that modernization can transform Peru, but it cannot fully conceal what came before. A co-existence of the old and modern Peru continues to reveal itself in every image.

“Selling children's toys and banks made of pottery in the form of animals, at the Sunday morning market”
“One of the many cañons as seen from the Oroyo Railroad”
“The harbor”
“The harbor”
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